Web Design, IA, Motion System

SKG+How can a local service-led studio site become an international immersive portfolio?

SKG+ is an immersive entertainment studio in mainland China. I joined as remote contract Web Designer and reshaped skgplus.cn from a service-led company site into a clearer portfolio system for mapping, exhibitions, cultural heritage, LED installations, and public show work.

SKG+
Impact

Reframed SKG+ from a service-led studio site into an international-facing immersive portfolio. The work turned a static services grid into a clearer taxonomy, restrained visual language, and motion-led archive for more than 170 works.

Role
Web Designer, contract and remote
Timeline
2025 to 2026, shipped client website and ongoing maintenance
Team
Worked with the founder, internal content lead, and principal creators. I owned visual direction, information architecture, category logic, interaction planning, and publishing workflow design.

The Challenge

SKG+ had a rich body of projection mapping, exhibitions, cultural heritage, LED, and show work, but the old site made visitors decode the studio through broad service labels and dense visual presentation.

The design problem was not to make the site louder. It was to make the studio easier to understand internationally while letting the work remain the spectacle.

Legacy SKG+ homepage before the redesign: a dark service-led entrance where About, Works, Class, Exhibition, Honor, and Find carried the site's main logic. This became the before-state for reframing the studio as an international-facing portfolio.
Legacy SKG+ homepage before the redesign: a dark service-led entrance where About, Works, Class, Exhibition, Honor, and Find carried the site's main logic. This became the before-state for reframing the studio as an international-facing portfolio.
Design logic

Questions & key decisions

01

How can a service-led studio site become an international-facing portfolio that is cinematic, categorized, and easy to scan?

Key decision

Service tiles to portfolio taxonomy

Problem
The old site explained SKG+ through broad service doors, but visitors still had to decode what kind of creative work the studio actually made.
Decision
I rebuilt the archive around project categories such as mapping, exhibitions, cultural heritage, LED installations, and immersive spaces.
Why it worked
Category-first browsing lets international clients scan by experience type, scale, and atmosphere.
Outcome
the new archive foregrounds project categories and more than 170 works instead of asking visitors to start from generic service doors.
Key decision

Motion as category language

Problem
Static JPG explanations could not express the timing and scale of projection mapping, LED work, or exhibition systems.
Decision
I paired a restrained international frame with compact icons, hover states, and showreel-like motion cues.
Why it worked
The quiet frame lets the media carry the spectacle while motion explains the temporal nature of the work.
Outcome
restrained framing, compact icons, hover states, and showreel cues let the project media carry spectacle while visitors keep orientation.

Research & Discovery

I mapped the content operation with the founder and internal content team, then audited how the archive needed to support media-heavy projects, frequent updates, and different client audiences.

The hypothesis was that a quieter frame and category-first structure would improve scanning more than another immersive visual layer. The site's job became selection and orientation, not decoration.

Live skgplus.cn homepage captured in 2026: the final direction keeps the brand stark and quiet so the studio's show imagery can carry the spectacle.
Live skgplus.cn homepage captured in 2026: the final direction keeps the brand stark and quiet so the studio's show imagery can carry the spectacle.

Design Strategy

I organized the archive around project categories and reusable content patterns. Mapping, exhibitions, cultural heritage, LED work, and immersive spaces became browsing logic rather than background copy.

The visual system stayed restrained because SKG+'s project media is already high-saturation and motion-heavy. The interface should create rhythm, hierarchy, and trust.

Works archive on the live site: category filters turn heterogeneous public-space projects into a browsable system for clients and collaborators.
Works archive on the live site: category filters turn heterogeneous public-space projects into a browsable system for clients and collaborators.
Early section planning: translating old service modules into reusable portfolio sections, category entry points, and media-led project views.
Early section planning: translating old service modules into reusable portfolio sections, category entry points, and media-led project views.

Implementation & Pipeline

I designed the site information architecture, category logic, visual direction, motion cues, and maintainable publishing workflow. The same system then helped the team ship a related mapping contest site under a compressed timeline.

The key implementation decision was to treat content operations as part of UX: project data, media hosting, filtering, and responsive presentation all had to work for maintainers, not only visitors.

Shenzhen Yantian. A 200-million-pixel LED immersive space shaped the new visual logic: large media first, interface second.
Shenzhen Yantian. A 200-million-pixel LED immersive space shaped the new visual logic: large media first, interface second.

Results & Impact

The public evidence is a shipped client website, a scalable archive for more than 170 works, and an adjacent competition site launched quickly from the same system logic. The case shows client delivery, IA, motion direction, and maintainable web design under real constraints.

Berlin Festival of Lights. SKG+ CHINA mapped the Brandenburg Gate with the CIRCLE programme, so the rebuilt archive needed to surface international work quickly.
Berlin Festival of Lights. SKG+ CHINA mapped the Brandenburg Gate with the CIRCLE programme, so the rebuilt archive needed to surface international work quickly.
Qingdao Beer Festival, 34th edition. A brand-forward mapping show that demonstrates why the site needed fast publishing and strong media hierarchy.
Qingdao Beer Festival, 34th edition. A brand-forward mapping show that demonstrates why the site needed fast publishing and strong media hierarchy.
Sichuan Fine Arts Institute Museum Night, Elements IV. The mapped stage became a high-traffic archive entry, so the template had to support strong cover imagery.
Sichuan Fine Arts Institute Museum Night, Elements IV. The mapped stage became a high-traffic archive entry, so the template had to support strong cover imagery.

Lessons Learned

A client site can fail even when it looks impressive if the team cannot maintain it. The strongest design decision was reducing visual noise so the work, taxonomy, and publishing workflow could carry the experience.

What's Next

The next useful improvement is stronger public documentation of the publishing workflow, with a clean pipeline diagram and fresh live-site screenshots for desktop and mobile.

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